Today, The Platinum Mask channel would like to introduce Amanda Rockhold for a conversation.
Hey! Please explain to the audience what you’re promoting.
I’m promoting the Performing Arts organization, Human Spirit Theatre Productions.
What was the biggest obstacle in your journey and how did you overcome it?
Usually, the biggest obstacle when producing theatre with little or no budget is casting and finding a place to perform. But right now, here in Dallas, I’ve found that people are thirsty, hungry for live theatre. I’m fortunate to have connected with so many talented artists — and those who support the performing arts.
What separates you from similar artists in the Dallas-Fort Worth area?
Human Spirit produces all original works: plays that have never been fully produced or brought to life onstage. We are interested in work expressing raw humanity, that which connects us all as people and ignites the spirit of being alive.
Is there anything you wished you would have known earlier in your journey?
The first production I produced at The Wild Detectives last October, I was reminded just how magical a live performance can be. After spending so much time in quarantine, it was refreshing to be in a space with others again. Had I known it would be such a success, we would have performed multiple nights. Same goes with the production, The Bad Die Old, our most recent show at The Wild Detectives.
Do you have any favorite spots in the Dallas-Fort Worth area?
Of course, The Wild Detectives, whose owner there has been so supportive in providing an awesome space to produce art and showcase local artists. La Reunion in the Bishop Arts District was my first go-to spot when I first moved to Dallas. They’re great! My heart also lives at The Heights in Lakewood, where I wait tables; I could be biased but their food is kick-ass and the bartenders make damn good drinks.
Were there any major challenges due to the covid-19 pandemic? How did you overcome them?
Luckily, our performances took place outside at The Wild Detectives’ backyard performance area, which made for a safer place for people to convene. We ensured that no cast member felt ill or was sick during rehearsals and performances. We also adhered to The Wild Detectives’ safety protocols.
What was your upbringing like and did you discover your passion early on?
I was born in San Diego, California, and attended a different school every year until I was a sophomore in high school. Most of those adolescent years were in Ohio. Moving around so much, I learned how to be adaptive. I learned how to make friends everywhere I went. I also learned at an early age that life is ever-changing and there’s beauty in that. Perhaps that’s why I gravitate toward theatre: you work hard and collaborate with others to create a world for people to enjoy — and then it dies. And then you go on to the next one, each its own unique and meaningful experience. I discovered my passion during the second year of my undergrad when I delved into the world of “The Glass Menagerie” and discovered that broken families can be magical worlds onstage.
Do you have a mentor and can you remember any key advice they have given you?
My theatre director and professor, Margaret Piatt, was certainly my mentor during my undergrad and thereafter. She gave me my first opportunity to produce my own work (after I begged her). I often remember her tightening her fist, straightening her back, and telling me that I have to be tough. She told me that I’m not an empty frog. She very sternly told me that I was like a wild puppy. This woman told me that every woman needs champaign sometimes, but they need more water. Margaret is the best storyteller I’ve ever met.
Were your friends and family supportive of your mission?
Yes, absolutely! I’m lucky to have such a great support system when it comes to my artistic endeavors.
Any links you want to share for the viewers?
